The kri-chay is a violin-like instrument of the Marma. It is made of wood and brass and has fifteen to twenty strings, which are played with two chips of wood. The fakir dangais is a type of ektara used by the Tripura and Usui.
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Apart from the event, a fresco of the poster of the film is painted on TSC, JU. It was drizzling and Selim Al Deen Muktamancha of Jahangirnagar University was full to the brim with music and film enthusiast pupils and outsiders.
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Jadunath was attracted to Vincent Smith’s pragmatic concept of history as a view of the past, from which one could learn some lessons. But he was far more concerned with the concept of the progress of civilisation, obviously taken from Mill. The change towards the pragmatic concept came somewhere between 1928 and 1932. By then Jadunath had become conscious about the formation of Indian nationality. Therefore the theory of the crisis, as seen by Jadunath, caused by moral degeneration and communal politics, would not hold good. These European documents helped Jadunath to establish his ‘facts’.
It is made like an ektara, with a chord running length-wise down the middle. Music is created by touching the chord either manually or with a piece of wood. It looks like a dove’s nest and is prepared by hollowing out a piece of wood of about 2/3 feet in length and one and a half feet in breadth. Animal skin is stretched over the hollow frame and three chords are then fastened to it. The chang prei is another traditional instrument of the Usui. A piece of wood three feet long is hollowed out and three chords are attached to it as in a guitar.
Sweet sounds like mid-gamak-murchhana (regulated modulation of sounds through the scale) can only be produced by the vina. In later stages, string instruments like the sitar, the surbahar, the surashrngar were developed from the vina. Famous vinas of the medieval periods are pinaki, vallaki and rudra vina. The rudra vina is no longer played these days, but the svarodiya vina is a modified version of it. Svara vina or sura vina, which resembles the rudra vina has a very sweet sound, but is not very common nowadays.
In a broader sense, this is the concept of the progress of civilisation as envisaged by Mill. By the same token, the Sultanate period should have been seen as such, but Jadunath had categorised it as a dark period. Tarafdar has rightly asked how the age of Akbar had become the bacon of civilisation if super baji the preceding age was so dark. Recent researches have shown that while Akbar had limited his patronage to only two Rajput houses, his successors, Jahahgir and Shah Jahan, had expanded it.
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